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Just as in the preceding cases the sacrifice of a child or a sheep played a part, so here the sacrifice of the maiden hanging on the “cross.” The death of the dancer is also to be understood in this sense, for these maidens are always doomed to die, because their exclusive domination of the feminine psyche hinders the individuation process, that is, the maturation of personality. The “maiden” corresponds to the anima of the man and makes use of it to gain her natural ends, in which illusion plays the greatest role imaginable. But as long as a woman is content to be a femme à homme, she has no feminine individuality. She is empty and merely glitters—a welcome vessel for masculine projections. Woman as a personality, however, is a very different thing: here illusion no longer works. So that when the question of personality arises, which is as a rule the painful fact of the second half of life, the childish form of the self disappears too.