Maša Seničić, Simona Dmitrović and Milena Marković: What it means to be a poet today

Maša Seničić, Simona Dmitrović and Milena Marković: What it means to be a poet today Three Serbian poets—Milena Marković, Maša Seničić, and Simona Dmitrović—discuss the meaning of writing poetry today, reflecting on its historical evolution from sacred texts to personal expression. They share insights on inspiration, the necessity of writing, and the challenges and freedoms faced by poets in the 21st century, particularly women in the literary sphere. The article highlights how poetry serves as a space for self-exploration, emotional expression, and engagement with the world, while also addressing the ongoing debate about the categorization of ‘women’s literature.’

• The first known signature in poetry history belongs to a woman, Mesopotamian priestess Enheduana.
• Three contemporary Serbian poets—Milena Marković, Maša Seničić, and Simona Dmitrović—discuss the current state and meaning of poetry.
• Milena Marković views poetry as a life-saving, meaning-giving art form that has not changed fundamentally, emphasizing writing out of necessity.
• Maša Seničić sees poetry as a space of freedom for self-expression and play, acknowledging that external work often impacts the time poets can dedicate to their craft.
• Simona Dmitrović describes poetry as a space for exploring the inner and outer worlds, appreciating the lack of a dominant definition that allows for diversity.
• The article touches on the historical use of male pseudonyms by women writers and the contemporary paradox of ‘women’s literature’ potentially leading to isolation despite increased visibility.
• While women poets are more visible, their representation in decision-making literary roles remains lower.
• The poets suggest that generational classifications in poetry are complex, and that the core essence of poetic expression transcends age.