A Warning of What Constantly Returns
“Sabirni centar” or: it turns after all. For me, theatre is the stage. It means life. And life without an end is not life. That's why “Sabirni centar” always brings me back to the same question: where does the end stop, and where does the beginning begin?
A Warning of What Constantly Returns The play “Sabirni centar” by Dušan Kovačević, directed by Darijan Mihajlović, premieres in a newly renovated theatre in Subotica, marking a symbolic return after years of closure. The production delves into the text’s prophetic nature, highlighting its relevance to a society stuck in a perpetual state of transition rather than genuine new beginnings. The play uses humor and fantasy not as escapism, but as tools to expose uncomfortable truths about human behavior, particularly the tendency to avoid freedom and personal responsibility.
- The National Theatre Subotica reopens with a premiere of Dušan Kovačević’s play “Sabirni centar”, directed by Darijan Mihajlović.
- The play “Sabirni centar” is seen as prophetic, reflecting a society living in a constant transitional state rather than achieving true new beginnings.
- The director emphasizes that opening new physical spaces does not guarantee change if old fears and patterns are carried forward.
- Humor and fantasy in the play serve to expose reality and uncomfortable truths, with laughter often arising from recognizing one’s own fears.
- The characters represent everyday people whose dialogues act as mirrors, revealing self-justifications for inaction.
- The play questions freedom not as a right, but as a burden that people often choose to avoid due to the demands of decision-making and leaving comfort zones.
- The future is presented not as a promise, but as a test of our capacity for change, with the risk of repetition if transformation is not embraced.
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