Anti-Zuckerberg movie 'The Social Reckoning' takes critical heat on both sides of political aisle

Aaron Sorkin's "The Social Reckoning" faced blistering critiques from both conservatives and liberals and sits at 59% on Rotten Tomatoes.
Anti-Zuckerberg movie 'The Social Reckoning' takes critical heat on both sides of political aisle

Aaron Sorkin’s new film, “The Social Reckoning,” which focuses on Facebook’s role in American politics, has received harsh criticism from both conservative and liberal reviewers, as well as professional film critics. The film’s messaging on free speech, censorship, and its portrayal of events like the Jan. 6th capitol riot have been particularly scrutinized. Critics argue the movie is either tone-deaf, poorly executed, or misses the mark compared to its predecessor, “The Social Network.”

  • “The Social Reckoning,” a follow-up to “The Social Network,” faces criticism from both political sides and a mixed critical reception.
  • Reviewers have sharply criticized the film’s political messaging and its handling of Facebook’s influence on American politics.
  • Conservative critics mocked a trailer scene depicting a debate on free speech, viewing it as Hollywood attempting to portray the tech CEO as reasonable and an opposing character as authoritarian.
  • Film critics described the movie as “insipid,” “ugly,” and “irrelevant,” with some suggesting it might inadvertently make Facebook seem more appealing.
  • The film’s plot points, including a viral video and the Jan. 6th capitol riot, are discussed, with criticism leveled at Facebook’s alleged role in spreading conspiracy theories and failing to remove Donald Trump’s account.
  • Some reviewers argue the film suggests Facebook was not censorious enough and advocate for government reform of Section 230, while others believe individuals are responsible for their online actions.
  • Media commentators suggest the film reflects Hollywood’s determination to fight past battles regarding Big Tech censorship of conservatives, despite Zuckerberg’s efforts to move towards a more open platform.
  • Despite widespread criticism, one review from the San Francisco Chronicle praised the film as a “stirring journalistic thriller.”
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